I have always had two colors. The one you see — the pure one, the piano, the quiet voice — and the one that comes out after dark. Dark music. EDM. The floor. That side has never been a costume; it's the desire underneath the daylight version of me, and once a year, in October, I let it drive. In 2025, The Skeleton's Serenade carried the Palalala Records name to dancefloors I had never been to. She Returns in October is what comes after it: the songs of Root for the Monster, rebuilt track by track for DJs. Same bride. Same voice. Louder room.